Sketches by Anna Mors photo by IDOART Agency

CONTINUUM

Name
Anna Louise Mors Hansen
Education degree
Professional Bachelor
Fagfelt
Design
Institute
Design, Product and Material
Program
Crafts in Glass and Ceramics
Year
2025

CONTINUUM explores the space between function and sculpture through ceramic vessels. Rooted in my fascination with the vessel as the most archetypal ceramic form, the work reflects its dual role as both a utilitarian object and a timeless symbol of humanity. Each form enters into a close dialogue with the body - not to carry water or grain, but to hold essence, presence, and memory. At the heart of this project lies the question:


“How can I use the arrangement of vessel, landscape and base to construct a ceramic installation in which form, material qualities, and spatial relationships between the objects create a coherent constellation?”

 

The intention is to shift the ceramic focus from the functional to the conceptual - moving beyond pure function and into a sculptural language that communicates through spatial rhythm, surface, and material presence. Rather than separating vessel and base, I allow them to grow together in a continuous gesture, dissolving traditional hierarchies between object and pedestal. Inspired by natural formations, the base becomes a sculptural landscape - one that encourages the viewer to move, pause, and return.

Throughout the process, I developed a custom clay body by integrating crushed grog and paper into the material. This approach aimed not only to enhance the clay’s strength and texture, but also to repurpose discarded bisqueware and waste paper from our ceramic campus in Nexø, activating materials otherwise considered inert.

IDOART Agency
Process, photos by IDOART Agency
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Bin
Sorting station
Jaw Crusher
Ceramic grog
Ceramic bin
Sorting station
Jaw Crusher
Ceramic grog

Initially, I set up a sorting station, dividing the bisqueware into separate bins based on color. I then crushed the discarded ceramics using a jaw crusher and sorted the resulting material into different grain sizes. From there, I conducted a series of tests to determine how much of the waste material could be added to the clay body before compromising its structural integrity. When did it stop holding together? At what point did the addition of waste weaken, rather than reinforcing, the clay?

I tested various combinations - different grain sizes, and consistent sizes in varying proportions - to better understand how the material behaved and where its limits were. This became a central part of the project: not just reclaiming waste, but investigating how far its potential could be stretched.

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Clay tests
Various sizes and amounts of ceramic grog
Testing paper and cat tails (plant)
Tests with various sizes and amounts of ceramic grog

The final recipe for the project was

K129 from reclaim   6,5
Salt clay from reclaim   2
Porcelain from reclaim   2,9
Mixed white clay from reclaim   0,6
Grog in different meshes   2,8
Paper   0,45

In this recipe over 20% of the materials are ‘’recycled’’ or ‘’renewable’’.

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Process
Process
Process
Process

CONTINUUM invites reflection on surface, rhythm, and material sensitivity, grounded in an enduring curiosity for a craft that transcends time.

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Final works
Final works, photo by Mads Holm
Final works, photo by Mads Holm
Final works, photo by Mads Holm

XII. Bachelor Exhibition 2025. Layout by Anders Gerning & Tor S. Johannesen

The Royal Danish Academy supports the Sustainable Development Goals

Since 2017 the Royal Danish Academy has worked with the Sustainable Development Goals. This is reflected in our research, our teaching and in our students’ projects. This project relates to the following UN goal(-s)
CV
Education & Relevant Courses
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Aarhus Academy of Fine Arts

Ceramics department
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AARHUS TECH

Carpentry
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Royal Danish Academy

PBA - Crafts in Glass and Ceramics
Professional Work Experience
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Student assistant

Student assistant at the Royal Danish Academy.
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Sales assistant

Sales assistant in gallery and shop Matter House of Craft, Nexø.
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Student assistant

Assistant to Susanne Jøker Johnsen under European Ceramic Context 2024.
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Intern

Intern at Pietro Sganzerla ceramic studio, Milan, Italy.
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Intern

Intern at Esben Kaldahl ceramic studio, Copenhagen.
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Freelance / Self-employed

Freelance projects as ceramicist and product designer.