Wallpaper

Kallisperi's House - A kollegium at the Foot of the Acropolis

Name
Albert Rygg Karberg
Education degree
Kandidat
Fagfelt
Architecture
Institute
Architecture and Culture
Program
Cultural Heritage, Transformation and Conservation
Year
2026
Awards
VELUX Dagslyslegat

When Sevasti Kallisperi became the first Greek woman to earn a university degree, she resolved that she would not be the last. As a writer, activist, and education reformer, she devoted her life to the struggle for women’s access to education, and when she passed away in 1953, she bequeathed her entire estate to the cause — including her home. The recipient was the Greek state, and she wished the gift to form the foundation of an institution focused on education and community. 

This vision was never realized, and after seven decades little remains of Kallisperi’s legacy. The fortune is gone, and the house has been left to decay and oblivion, noticed only by the homeless, robbers, or history enthusiasts who peer in behind fallen walls and collapsed roofs. In the small rooms, the elements have eaten through the floors or covered them with fine carpets of pale green grass. Furniture, artworks, and libraries were long ago looted, and the ransacked spaces bear little trace of the dream of a modern Greece once shaped within these walls. 

Sevasti Kallisperi had few neighbors when she purchased the four plots of land and settled in the desolate area south of the Acropolis in 1911. Whereas the neoclassical townhouse at the time mirrored only the cliff and the ancient ruins, today it lies at the heart of the metropolis of Athens.

It is not the first time that a building on this very site has fallen into ruin. Beneath layers of soil and rubble lie the remains of houses erected and toppled over several millennia. The archaeological and the architectural converge here, forming the material foundation for the project’s investigations. 

The complex stands as a palimpsest — a built body in which the deposits of time and cultural traces settle upon and within one another, and where contemporary political and economic conditions threaten the existence of the listed building.

Portrait
.
Portrait
.
Portrait
.
Portrait
.
Portrait
.

"The abandoned plot beneath the Acropolis serves as a reminder of the monumental modern Greek apathy"

 

- Eleftherios G. Skiadas, Chair of the Athens City Council, 2020

1:10 material catalogue
1:10 material catalogue
1:10 material catalogue
1:10 material catalogue
Period drawings
Period drawings

During a four-week stay in Athens, the site gradually revealed itself as more than an abandoned building complex. Like much of the city, it exists in what Jonathan Sergison has described as a “perennial state of incompleteness”. Buildings remain unfinished, altered, extended and adapted over time, creating an urban landscape characterised less by fixed compositions than by continuous transformation. Kallisperi’s House embodies this condition. Beneath the site lie the remains of the Themistoclean Wall and parts of the House of Proclus, while the existing buildings record successive phases of occupation, construction and neglect. The site can therefore be understood as a palimpsest in which different historical periods coexist rather than replace one another. Rather than viewing this complexity as a problem to be resolved, the project takes it as the fundamental condition from which the proposal emerges. 

1
/6
1:50 elevation A, Measured drawing
1:50 elevation B, Measured drawing
1:50 Section D, Measured drawing
1:50 basement plan, Measured drawing
1:50 ground floor plan, Measured drawing
1:50 1st floor plan, Measured drawing
1:50 elevation A, Measured drawing
1:50 elevation B, Measured drawing
1:50 Section D, Measured drawing
1:50 basement plan, Measured drawing
1:50 ground floor plan, Measured drawing
1:50 1st floor plan, Measured drawing

The project is grounded in extensive fieldwork carried out on site in Athens. Through measured drawings, 3D scanning, photographic documentation and material registration, the complex was recorded from landscape to architectural detail. Doors, windows, masonry, plaster, structural systems and loose stone fragments were documented and analysed as part of a broader effort to understand not only the buildings themselves, but also the processes that have shaped them over time. This work revealed a complex material reality. The buildings are neither pristine heritage objects nor complete ruins, but structures suspended somewhere in between. Existing plaster survives alongside exposed masonry, later repairs coexist with original fabric, and fragments of former architectural elements remain scattered throughout the site. These observations became central to the development of the project's restoration strategy. 

1:50 ground floor plan, Project drawing
1:50 ground floor plan, Project drawing

The complex consists of four distinct buildings constructed by Sevasti Kallisperi between 1911 and 1930. Although they form a coherent ensemble, each building possesses its own architectural character, construction history and state of preservation. This led to a differentiated transformation approach. The corner building is treated primarily through restoration and careful repair, reflecting its architectural significance as the most complete and representative part of the complex. The annex is approached conservatively due to its relatively intact condition. The side building, by contrast, is already a composite structure formed through successive additions and alterations. Here the project allows greater freedom for adaptation and extension. Rather than applying a uniform strategy across the site, the proposal acknowledges that different parts of the complex call for different architectural responses. Restoration, repair, reuse and addition are therefore employed simultaneously, allowing the existing diversity of the site to remain legible. 

1
/3
1:50 basement plan, Project drawing
1:50 1st floor plan, Project drawing
1:50 2nd floor plan, Project drawing
1:50 basement plan, Project drawing
1:50 1st floor plan, Project drawing
1:50 2nd floor plan, Project drawing

The decision to transform the complex into a student residence emerged from both the history of the site and contemporary conditions in Athens. In her will, Sevasti Kallisperi expressed the wish that her estate should continue to serve education after her death. While a girls’ school no longer reflects present-day Greek society, access to affordable student housing remains a significant challenge for many young people moving to Athens to study. The proposal therefore reinterprets Kallisperi’s ambition through a contemporary collegium. Accommodating 22 rooms and up to 31 residents, the project introduces a housing typology that is relatively uncommon in Athens. Whereas many existing student residences function as large dormitories organised around private units, the project explores the potential of a more collective way of living, inspired by the Nordic collegium tradition while remaining sensitive to local expectations of privacy. The organisation of the programme follows the logic of the existing buildings. Thick stone walls, inherited room structures and established circulation patterns are retained wherever possible. Instead of reshaping the buildings to fit a predetermined programme, the programme is adapted to the spatial qualities already present on the site. 

1
/3
1:50 elevation B, Project drawing
1:50 section C, Project drawing
1:50 section D, Project drawing
1:50 elevation B, Project drawing
1:50 section C, Project drawing
1:50 section D, Project drawing
1
/3
1:50 elevation A, Project drawing
1:50 section A, Project drawing
1:50 section B, Project drawing
1:50 elevation A, Project drawing
1:50 section A, Project drawing
1:50 section B, Project drawing
1:10 detail sections, Project drawing
1:10 detail sections, Project drawing

A central challenge of the project was how to increase capacity without compromising the archaeological and architectural significance of the site. Because much of the ground is protected and potentially contains undiscovered remains, minimising new excavation became an important principle. The proposal therefore concentrates new construction above the existing side building in the form of a lightweight timber addition. The intervention provides additional accommodation while avoiding the need for new foundations. Constructed in chestnut timber, a material deeply rooted in Greek building traditions, the addition distinguishes itself from the historic structures while remaining subordinate to them. The new volume follows the existing hierarchy of the complex. Its height remains below that of the corner building, and its organisation draws upon the site's changing topography. External walkways, terraces and stairways connect the buildings while reducing the need for internal circulation, allowing movement through the project to remain closely tied to the landscape.

Transformation of existing facade, Visualization
Transformation of existing facade, Visualization
Existing facade, Photograph
Existing facade, Photograph
Restoration of existing facade, Visualization
Restoration of existing facade, Visualization
Existing facade, Photograph
Existing facade, Photograph
Student bedroom, Visualization
Student bedroom, Visualization
1st floor room, Photograph
Existing 1st floor room, Photograph
Transformation of inner courtyard, Visualization
Transformation of inner courtyard, Visualization
Inner courtyard, Photograph
Existing inner courtyard, Photograph
Student bedroom, Visualization
Open-air corridor, Visualization
Existing inner courtyard, Photograph
Existing inner courtyard, Photograph
Library, Visualization
Library, Visualization
1st floor room, Photograph
1st floor room, Photograph
1:33 project model
1:33 project model
1:33 project model
1:33 project model
1
/5
w
w
w
e
e

The Royal Danish Academy supports the Sustainable Development Goals

Since 2017 the Royal Danish Academy has worked with the Sustainable Development Goals. This is reflected in our research, our teaching and in our students’ projects. This project relates to the following UN goal(-s)

VELUX Dagslyslegat

"Gennem grundige opmålinger og studier af lokale byggemåder, genfremstiller projektet dertil lysvirkninger fra det tidlige 1900-tals Athen i en restaurering og transformation af Kallisperis Hus. Hvor lyset filtreres gennem den lette trækonstruktion i additionen, optager og reflekterer de eksisterende tunge vægge af sten og puds lyset. Bearbejdningen af materiale, modsætningen mellem tungt og let bliver dermed også et spørgsmål om lysvirkninger og beboelse og vidner om en gennemarbejdet forståelse for sted, klima og dagslys."

CV
Competitions, Publications & Awards

Årets projekt 2025, Estate Media Prisen

Langelinjeskuret – Karberghus

Hovedstadens Forskønnelsespris 2026

Langelinjeskuret – Karberghus

Arkitekturprisen, Erhvervslivets Kulturpris 2026

Langelinjeskuret – Karberghus

VELUX Dagslyslegat 2026

For "Kallisperi's House - a Kollegium at the Foot of the Acropolis"
Education & Relevant Courses
-

The Royal Danish Academy

M.Arch.
Cultural Heritage, Transformation & Restauration
-

The Royal Danish Academy

B.Arch.
Finder Sted: Institute of Architecture & Culture
-

Copenhagen Business Academy

Single subject, Project Management
-

Ordrup Gymnasium

Professional Work Experience
-

Karberghus

Architect
-

OBRA Architects

Internship
-

Stelling

Student Assistant
-

Studio Olafur Eliasson

Internship
IT skills
Microsoft Office
AutoCad
Rhinoceros, V-Ray, Enscape
Photoshop, Illustrator, InDesign
Language skills
Danish
English
French
Swedish / Norwegian