Bornholm

Applied Craftsmanship

Name
In Kyong Lee
Education degree
Kandidat
Fagfelt
Design
Institute
Design and Visual Interaction
Program
Strategic Design and Entrepreneurship - Architecture, Design and Business
Year
2025
Awards
Månssons

This project positions craftsmanship as a critical mindset and method for sustainability, offering an alternative to dominant models focused solely on scalability and profit. Strategically grounded in Bornholm’s unique ecosystem, it seeks to activate the island’s underutilized craft sector as a vital force in the green transition. Through a series of objects created using ancient Asian lacquer techniques and local textile waste, the project offers a tangible and symbolic example of circular economy in action. These material transformations invite businesses into dialogue—not to deliver ready-made solutions, but to open space for reflection, collaboration, and material inquiry. The objects act as catalysts for circular thinking, where value is defined not just by efficiency, but by care, continuity, and context.

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Can craft makers drive Bornholm’s green transition?

Bornholm is moving toward a greener future through the Green Energy Island and Zero Waste initiatives. But one key group has been left out of the conversation: the island’s craft makers. Despite their deep connection to local culture, production, and tourism, their insights into sustainable practices remain largely untapped.  This project argues that craftspeople can play a vital role in shaping a circular economy on Bornholm—offering hands-on knowledge about materials, quality, and resource use. 

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Including a craft perspective in green transition innovation projects on Bornholm brings unique benefits by grounding sustainability efforts in hands-on, place-based knowledge and material sensitivity. Craftspeople are often deeply attuned to the local environment, skilled in using natural and recycled materials, and committed to long-term quality and durability—principles that align closely with circular economy goals. Their practices foster innovation that is not only technical but also cultural, helping shift values from mass consumption to mindful production. By involving craft in Bornholm’s green transition, projects can tap into a tradition of resilience and creativity, building solutions that are both ecologically responsible and socially rooted in the island’s identity.

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A prototype for circular collaboration

To show this potential, the project presents a crafted object made from discarded textiles supplied by BOFA—Bornholm’s waste management authority. Using traditional lacquer techniques, the prototype transforms textile waste into a durable, high-quality object. It is both a product and a conversation starter—inviting collaboration between craft makers, waste systems, and local industries.  The proposal imagines a new business model where craft values—care, quality, and local knowledge—help build sustainable systems for material reuse, product development, and shared platforms. 

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Strategy
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The Royal Danish Academy supports the Sustainable Development Goals

Since 2017 the Royal Danish Academy has worked with the Sustainable Development Goals. This is reflected in our research, our teaching and in our students’ projects. This project relates to the following UN goal(-s)

Månssons

Juryen sagde: Through her working methods and concrete design proposals, In Kyong Lee shows how the craft community can contribute to the green transition, thereby building a bridge between two spheres focused on sustainability and the politically adopted visions on Bornholm.

In Kyong’s project demonstrates how deep material knowledge and craft skills are both necessary and inspiring in the green transition. In Kyong has, in every way, been a remarkable student who has undergone an enormous learning journey over the past two years. She is truly a strategic designer and bridge-builder, bringing design skills, knowledge, and techniques from craft culture into the heart of the green transition in an inclusive and inspiring manner

CV

Inkyong brings a unique perspective at the intersection of craft, design, circularity, and strategy. Combines analytical insight with a deep understanding of stakeholder dynamics and context to foster meaningful client engagement. As a practicing ceramicist and graduate of Strategic Design & Entrepreneurship, navigates complexity with both precision and sensitivity.

Competitions, Publications & Awards
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Selected Exhibitor, European Ceramic Context 2024, Hjorths Fabrik, DK

Education & Relevant Courses
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MDes, Strategic Design & Entrepreneurship, The Royal Danish Academy, DK

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BDes, Ceramic, The Royal Danish Academy, DK

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BFA, School of the Art Institute of Chicago, US

Extracurricular Experiences & Activities

Student Representative, External Education Evaluation, The Royal Danish Academy

Professional Work Experience
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Co-Owner and Ceramicist of JIIN ApS.

Design, handcraft, and sell bespoke furniture and ceramics, overseeing both creative direction and business operations, including exhibition planning and participation.
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Student Assistant, Bornholms Affaldsbehandling, DK

Assist and facilitates project coordination with creative approaches to sustainability and innovation.
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Project Manager, Bornholms Affaldsbehandling, DK

Manage sustainability-driven innovation projects for craft industry, coordinating resources while engaging stakeholders to ensure alignment, impact, and timely delivery.
IT skills
Illustrator
Photoshop
InDesign
Language skills
Korean
English
Beginner-Danish